


Aside from that awful event, and some unfriendly treatment from the baker (who sighed and rolled her eyes every time I ordered another thing), a crazy guy in a parking lot who almost killed Miriam and then yelled at me, and when I yelled back, followed us in his car for at least 10 minutes, which left me a little scared whenever we saw a black car later in our stay, and the cute little pillbugs (cloportes, in french, which is one of the few nature words my kids now know in French) that scare Magdalene and infest the house we were staying at, we had a lovely time. Sean and the boys spent a lot of time playing war-like games in the woods (the very ones Magdalene was lost in)--it helped that there are German fortifications all along the beach, built in 1945 in anticipation of the Allies invading on the coast of Brittany instead of Normandy. I went running on paths, in woods and on the beach, I covered myself in shame trying to play badminton.

We went on a long hike on bluffs and a beach (very different from our beloved Ebey's Landing, but the same general idea), and the boys, who never ever stop fighting (especially at that house which comes equipped with a game of monopoly with which the boys are obsessed but which turns them into nasty capitalists, the kind that everyone knows is thirsty for war), even were friends for a little while there, on the beach and bluffs (the photo is just there to prove that point)

We stopped in Guerande, a beautiful medieval fortified town (with its entire fortification intact). On the outside of the walls, the buildings are pretty awful, but inside the city, everything has been preserved beautiful and traditional (this is a traditional window treatment for this part of Brittany, for example), except for the tourist shops that line the main street to sell salt and its accoutrements (the main traditional agriculture around Guerande is salt marshes where the salt is harvested by hand).
We also went to the very picturesque port village of Piriac, where the famous writer Zola lived for a while, and where he set one of the short stories Magdalene had to study at the beginning of the year (for you faithful blog readers, the short story with the geese that represented human affairs, and the manure pile that symbolized power)



PARIS
The second part of my vacation... well actually, the first part of my vacation (while Sean worked hard at home) took place in Paris. I got there at 10 AM and figured the first thing to do was rectify that terrible slight that was done to me in Madrid (for those who don't remember, the slight consisted in Mimi's having a screaming fit which forced me to leave the Prado after only 30 minutes of contemplating the Bosch and Bruegel paintings I have been longing to contemplate for a lifetime). So, childless and free as the wind, I made my way to the Louvre which you can see here in my quite artistic rendering. There was only a moderately long line which gave me time to wolf down a sandwich so as not to be troubled even by hunger in my contemplations (well, they only have one Bruegel and two Bosch, there at the Louvre, but there are a few other gems), and then I braved the massive crowds making it hard to breathe in the Italian wing of the museum. There were a few positively weird things, like this huge (completely uninteresting if you ask me) painting by a contemporary guy named Soulage (ahem, the inventor of 'black') hung in a room full of early Renaissance paintings by Botticelli and Ucello. There are a bunch of interviews with the guy next to the painting where he says he wanted his painting in the First Italian renaissance room because his painting was mute and Ucello's deaf... whatever (oh, the French will think I am so American, oh, and maybe you too, Jim, if you're reading this. Feel free to educate me, anyone).

Let's see, otherwise, among a host of other things (I stopped my visit when I reached the 17th century, everything becomes a bit too monstrous at that point) there's a quite amazing portrait of Cleopatra killing herself (she holds a snake to her breast, and if you've just spent five months reading Freud, I can tell you, you can't stop standing in front of that painting staring--well, especially if you don't have young children with you--oh, and she happens to look just like an actress in the HBO TV show Rome!), there's the beautiful 'deaf' Ucello battle scene that's captured in the heat of battle, with the front horse rearing and showing his teeth, and the sky so black. Anyway, I guess I'm not going to describe all my favorite paintings, but just a bit of trivia, in case any of you are planning to visit the Louvre: you can't walk for the crowds in the Italian wing, and then the German/Netherlandish wing is completely empty, despite the glorious presence of the aforementioned Bosch and Bruegels and two Vermeers that you can sit and contemplate as long as you want. Oh, and once you finish your visit, don't forget to rent a little sailboat in the Tuileries park for your children to push around a pond with a stick. I wish I'd had them there for that, and also to try out all the merry go rounds (I saw at least 15 in my five days in Paris).

This is the Church of Saint Etienne du Mont, right near the enormous and hideous Pantheon. I used to walk past it on my way to my piano lesson every week and think philosophical thoughts (I was only 14 or so, my goodness, Magdalene's age) like 'God must exist if humans create so much beauty to honor him'.

This is the Hotel de Sens, a 16th century remnant in the flamboyant gothic style of architecture--the museum of the middle ages (where I had a very pleasant conversation about J.P. Satre and the weight of freedom with someone who was turning the pages of the manuscript presenter with me, we were looking at an illuminated manuscript page from from a law book about how to resolve disputes between neighbors about cutting trees whose roots are one one side of the fence while its branches are on the other--have you been thinking of cutting any part of our Japanese plum tree, Steve?) is in the exact same style.

Ok, if I'm getting bored with my own travel writing at this point, I can't imagine what any of my readers must be feeling, so I probably should take a break. But I must at least comment on the photos I've loaded onto this page, so bear with me for another 3 minutes. Here is the chapel from the castle at St Germain en Laye, close to where I was staying during this stay (with good friends of my mother's). It houses the museum of archeology which would normally not interest me at all (in fact, it didn't interest me when I visited it with my class as a child so much so that I had not a single memory of the place other than boredom) except that it houses some Gaulish objects which, when I was interested in early Irish history (when I was writing a novel about that, many years ago), kept coming up in books I consulted then. It's funny how a past desire that doesn't really have anything left to do with your present life can still motivate you. I went to see the objects I remembered, but because the novel is long finished, and all the history I learned while working on it long forgotten, the visit was quite a waste of my time. I think maybe this is the case with all past tense desire that you have only because you were once interested in something. Like if my ears prick up because I hear people talking about philosophy, which was once part of my life. If I really pay attention, I always feel annoyed afterwards.
I once thought Notre Dame was huge and grey and oppressive, but not this time. First of all, there are these carvings all around the altar area, the life of Christ as a child on one side, and scenes from his resurrected life on the other (the scenes from childhood are the best, but the light on that side is too dim and the photos didn't come out. Too bad. There's a beautiful carving of the massacre of the holy innocents, with details like a mother shoving her fingers into the eyes of the soldier who is trying to kill her baby. This one is the resurrected Christ meeting with the holy women. Magdalene has a collection of Mary Magdalene representations, and I assume the one with the red cloak is the right one. But there's more in the cathedral. They seem to be renovating some of the side chapels, so some of them are fully painted and their stained glass has been restored, and the glorious dance of colors just can't not lift your spirits. Add to this that when I went to visit, I happened right in the middle of an adoration of the crown of thorns (St Louis brought it back from the Holy Land in the 13th century and had the Sainte chapelle built to house it). It's sealed in glass, but you can actually see it. Even if it has nothing to do with Jesus, still, even a crown of thorns from the 13th century that was adored by Thomas Aquinas and Saint Louis is worth a few emotions, in a colorful chapel, with candles and incenses and berobed priests.

So I will now sign off and take my children to the library and the grocery store. I have to steel myself. 5 days away may have rested me and made me more patient, but it definitely dis-habituated me from the habitual state of chaos and conflict that reigns among my children. And that's with one missing: Magdalene has gone on the train on her own to visit her 'internet friend' Maggie in Angers.